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79. On the Way to a Funeral

Unbearable Lightness of Scones

Feeling uncomfortable in his dark suit the trousers were a bit tight Angus sat back in the seat of the ten-thirty ScotRail express to Glasgow. He had never felt at ease in suits, apart from the generously built one he had inherited from his father. That suit, a voluminous green affair made of tweed woven on the hand-pedalled loom of a Harris weaver, had eventually fallen to bits from sheer old age, and was greatly regretted. The suit he was wearing now, by contrast, was sparing in its use of cloth, and felt like it.

This suit of mine, he said to Matthew, who was seated opposite him on the train, is mean-spirited. Just like the age we live in.

Matthew glanced at his friends outfit. You could have it let out. You could speak to Mr. Low at Stewart Christie.

Angus shook his head. Id be ashamed to show it to Mr. Low, he said. I bought this suit on Princes Street about ten years ago. And you know how awful Princes Street is now. Its like some muckle grand souk. It really souks.

When Angus burst out laughing at his own joke, a few other people in the carriage threw glances. They were both so obviously going to a funeral, with their dark suits and black ties: laughter, surely, was unseemly.

You drew a few disapproving looks, there, said Matthew sotto voce. Youre not meant to laugh on your way to these solemn occasions.

Angus made a dismissive gesture. Talking of Princes Street, he said, fishing for a silver hip-flask from his pocket, Domenica was up to high doh the other day over the price of scones in Jenners tea room doubling overnight. She hadnt actually been there for tea for some time, but she had bumped into Stuart Brown who works round the corner and drops in there from time to time. He told her.

Thats serious, said Matthew, nodding his head in the direction of the hip-flask. Dutch courage?

Angus smiled. I always take a dram to these occasions, Matthew. Theyre so bleak otherwise.

Matthew understood, but politely declined the flask when Angus offered him a swig.

Its Glenmorangie, said Angus. I have a couple of bottles in the house. The old stuff. Have you seen the new bottles? Theyre making a whisky called Nectar d`Or now. Apparently `or is a Gaelic word. But the whole thing looks somewhat French to me. I dont know why. I just get that impression.

Perhaps they want the French to drink it? suggested Matthew. The whisky people are very interested in their image. They dont want people to associate whisky with people like He stopped himself, just in time. He had intended to say people like you.

Angus looked at him sharply. With people like me, Matthew? Is that what you mean?

Matthew smiled. I suppose so. And then he added hurriedly: Not that theres anything wrong with people like you, Angus. Its just that we cant continue to be all tweedy and fusty, you know. Not if we want to sell our whisky.

But isnt this meant to be a tweedy and fusty country? asked Angus. And isnt that what people like? Isnt that why they come to visit us and buy our whisky and so on? Precisely because were not like everyone else?

Matthew did not reply. But Angus was warming to his theme. That slogan that you see, One Scotland, Many Cultures. If its meant to be directed at tourists and surely they dont intend to spend our money telling us what to think then what a bit of nonsense! Do they seriously think that anybody is going to come to Scotland to see multiculturalism? What pious nonsense! People come to Scotland to see traditional Scottish things. Thats why they come. They come to see our scenery. He pointed out of the window. They were passing through Falkirk. They come to get a sense of our history. Old buildings. Mists. All that stuff, which we do rather well. He paused, and took a sip from his flask. They dont come to see our social engineering programmes.

Matthew thought about this. Angus had outspoken views, often wrong, but he was probably right about visitors. Any visitor he had met had wanted the tartan myths to be true. And they were always proud of having Scots blood way back in the mists of time. A great-grandfather who had come from Aberdeen, or something like that. It was powerful, simply because people wanted some sense of belonging, of being from somewhere. And the modern world, he supposed, with its shifting, dislocated urban populations was the antithesis of that.

Angus adjusted his tie uncomfortably. Glasgow, he said, looking thoughtfully out of the window. They were not there yet, but then he muttered, The dear green place.

Yes, said Matthew. Its a great place. Great people. But then you get characters like Lard

If they wanted a slogan, mused Angus, they could have said, One Country, Two Cities. How about that, Matthew? Wouldnt that have said it all?

Matthew reflected on this. Poor Lard, he said.

Angus nodded. Hell get a good send-off, though. They go in for those things in Glasgow. Big flowers.

And a wake?

Angus brightened. Oh yes, thatll be quite an occasion, he said. Mind you, Im not sure if we should attend. Im not being stand-offish, but do you realise wholl be there, Matthew? All those big Glasgow gangsters. Ice cream franchise people. I rather suspect that you and I will be out of our depth. This wont be like an opening at your gallery, you know.

Lets wait and see.

There followed a long period of silence. Then, as they neared Glasgow, Angus remarked, It must be difficult for the minister. Or in Lards case, the priest. He must know the score. He must know what Lard was like.

Matthew agreed. And yet, was that not the whole point? That sins were forgiven? That each of us, whoever we were, however imperfect, was loved? And was that not what he and Angus were saying, in going across to Glasgow in these suits, these black ties; were they not saying that ultimately we are all brothers and sisters, united in our humanity? He was imperfect; Angus was imperfect (and fusty too); Lard was imperfect. But was it not all these flaws, manifold and diverse, that united us all, made us one?

The Edinburgh to Glasgow train is a place of many thoughts; these were Matthews as they drew slowly into Queen Street Station.


78. Antonia s Big Secret | Unbearable Lightness of Scones | 80. Let Us Now Praise a Rather Infamous Man